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On Writing, Thoughts on Writing

Some Thoughts on ‘Inspiration’ and Writing

June 15, 2012

I love the scenes in old movies which depict writers writing. Most of these romantic old movies are set in the typewriter days.

If I were to amalgamate the various scenes to the best of my recall, the Writer is usually shown frustrated and grasping for the Next Big Idea. Something Occurs in his life that sparks an idea, or breaks a creative logjam. The writerly person scurries to his trusty Remington (typewriter, not rifle) and plays those keys like Mozart composing, usually with a look of noble and fierce concentration and terrible speed – those fingers fly!

If anyone or anything interrupts the movie Writer, it is only to show him/her firmly pushing said Interruptor out of the picture and returning intently to the work at hand.

It is difficult to envision writers like this thinking through Concept, Plot and Structure, ensuring their Scenes have the proper rhythm, development, and flow. For them, it all seems to pour out in a rush of creative inspiration.

We writers know that there is actually nothing duller than the actual visual of a writer writing. It consists of one of us staring at a computer screen and tapping things out on a keyboard with (depending on our levels of self-discipline) breaks for coffee, Internet browsing, daydreaming – and, of course, attending to the earnest practical matters that keep that handy roof over head and three squares on the table.

Inspiration does indeed play a part in writing. But, with few exceptions, successful writers need to master Technique to produce novels that sing. The exceptions aren’t really exceptions: some writers have an intuitive grasp of Technique. This is because they have mastered and internalized the way Story works to a degree that they may not consciously need to think about how to build a story.

For all writers who aren’t sure whether they have this kind of mastery: When in doubt, Plan it out.

Just for fun: Someone actually compiled a list of most of the Movies about Writers and Writing! (Click on link at left to view.)

Happy Writing!

Image: Foxtongue via Flickr CC

 

 

On Writing, Thoughts on Writing

Novelists: Create a Gannt Chart to Map Your Milestones

June 10, 2012

Skip this post if you are tech averse – but, if you can tolerate mild techitude, read on and you may be able to create a neat tool that will serve you as a handy “map” on your novel writing jouney.

There are many ways to track how you progress on your novel. In my opinion, creating a Gannt chart to plan and track the evolution of your work in progress, is one of the best ways to provide yourself with helpful metrics.

Here is a sample Milestone Gannt chart schedule I created:

Click on the image for the larger font version.

Software purpose-built to create Gannt charts is pricey. If you have the budget, go for it. However, good old Microsoft Excel allows a great workaround that creates perfectly serviceable Gannt charts. And, thanks to online YouTube tutorials, within an hour or less, you can create your Novel Writing Schedule in nifty Gannt format.

The tutorials I use are created by Eugene O’Loughlin at the National College of Ireland. Here is his tutorial on How to Create a Gannt Chart with Excel 2003. Here is his tutorial on How to Create a Gannt Chart with Excel 2010.

Once you have inputted your milestones and target dates, Excel also allows you to print out a simple Columns-and-Rows Schedule with the same information.

Click on the image for the larger font version.

Here is how the data you need to input looks when it is inputted into Excel.

Click on the image for the larger font version.

You’ll notice that my milestones include “Create Scrivener Index Cards.” For non-Scrivener users, that means, transfer your Beat Sheet action bullet points to where you can begin to expand each bullet point into a Scene. Non-Scrivener users can skip this step – but, Novelists, I highly recommend that if you are not using Scrivener, you make a beeline to the Scrivener Website and try it out. It is superb writing software.

Note: Tweak the milestones on the chart you create to best reflect your writing process. You may add milestones or delete them.  The same goes for the target dates. Each of us writes at a certain pace. The sample writing schedule may seem snail’s pace to some writers, and overly aggressive to others. Again, apply your own preferences in creating your milestones.

The advantage of the Gannt Chart schedule is that it gives you a visual grasp of the time you will need to invest in your work. In addition, it allows you to track your progress and to be honest with yourself.

Also, if you are thrown off track – life does sometimes intrude on our writing schedules – being able to refer to the Gannt Chart makes it easier to pick up where you left off.

On Writing, Plot & Structure, Thoughts on Writing

Novelists: Some Excellent Resources

June 8, 2012

Writing is an art; it also is a Craft. We writers are fortunate that there are those who came before us who were/are Master Craftsmen – writers who carefully thought about what makes for a solidly constructed novel, and who then wrote books to help the rest of us minimize any spinning of our author-ly wheels.

Here are some of the works that I believe truly stand out in their ability to help aspiring novelists master the Craft of writing:

The above books focus on how to build a novel properly; they provide how to’s on technique (plot and structure, characterization, story arc, concept, etc.) that will speed writers on the road to publication.

Two additional books I highly recommend:

 

Steven Pressfield’s book is one of the best to address the common writer’s blight: procrastination. The Guide to Manuscript Formats provides all the guidelines you need to enable you to format your novel to meet the expectations of agents and editors.

* Now, sadly, out of print, but you may locate a copy in your local library or at a “gently used” book store.

Eclectic Musings, On Writing, Thoughts on Writing

In the Clouds (of Data Storage)

January 31, 2012

Writers storing working drafts of a novel electronically need to have the assurance that their work will be there from one day to the next. As computers have been known to crash and fail, taking hours and days of hard work with them, “cloud” storage makes a lot of sense for writers.

What is “cloud” storage? Okay, I’m not a tecchie, so the best I can come up with is that the “cloud” here is some sort of magical place in the Internet ether. Anyway, it’s outside your personal PC.  This means if your PC crashes, your data is not lost. Also, you can access your data from any computer anywhere. You just need to enter your login and password.

Unexpected trip to Paris? Forgot the thumb drive with the latest draft of your novel? No problemo. You can lean back on your cafe chair on the Champs-Élysées, fire up your PC, sip your espresso, and retrieve your document from the “cloud” – because, really, in the heart of Paris, you do want to put in those eight to ten dutiful daily writing hours, don’t you?

Well, we’ll talk about work-life balance in another post. Back to the “cloud.”

Two “cloud” data storage softwares I find useful are: Evernote and Dropbox. Both are free. Dropbox can be downloaded at dropbox.com

I really like Dropbox; it allows you to create folders and store documents within those folders – all outside your potentially unreliable personal PC.

You can access your files online, or download Dropbox to your PC so that it becomes an extra folder which contains all the subfolders and documents you choose to store there.

Evernote which you can download from evernote.com is nice because you can access the data you store there from your smart phone as well as from any PC, as with Dropbox. For me, however, the way Evernote is structured, it is handier for jotting down ideas or notes versus storing data/documents.   Note: There is a hint of a “storm cloud” over data storage in the “cloud” due to some people using cloud storage systems to exchange pirated files. Google “Megaupload” to find out more about this.

The only real concern for users like me would be if Dropbox or Evernote might one day be handed down a ruling that they can no longer store information. Then I might need to find an alternate storage system. But in situations like this, host sites almost always give users ample warning. Even Megaupload users were given several days’ warning before the site closed down. I believe it is unlikely that Dropbox and Evernote will ever shut down, but I am mentioning the concern as it’s a topic of discussion currently.

Another “cloud” storage option is Amazon.com’s JungleDisk.com. I back up some of my data on JungleDisk. This is not a free program but it’s not pricey either. I pay only about $2/month. Jungledisk allows you access to your files from any of your PC’s if you have more than one; but it’s not designed for sharing files, so it probably doesn’t face any threat of ever being shut down. Once you download it, Jungledisk becomes an extra drive on your computer from which you can access your files. Or, you can just login to the jungledisk site and access your files from there.

In my opinion, Dropbox’s design makes it the easiest to work with for storing and accessing notes and manuscripts.

I also have some data stored on a Western Digital external drive with a 1,000 Gigabyte (huge!) capacity for storage. But I don’t trust hardware storage entirely. Have heard too many stories of data lost. I purchased my WD drive at BestBuy. (Read the reviews previous purchasers have kindly supplied, and look for a model that has met expectations among reviewers.)

Image courtesy of Akakumo via Flickr

 

On Writing, Thoughts on Writing

The Work of Writing

November 14, 2011

 

Anthony Trollope, "Novel Machine"

One author writing about Victorian novelist Anthony Trollope – one of the most successful writers of his day – called him a “Novel Machine.” 

Trollope’s first novel was published in 1847 while he held a full-time job as a post office civil servant. For the next 20 years, while remaining in his full-time job, he was able to produce at least a book a year and sometimes three. During his lifetime, he penned 47 novels and 16 additional books.

Trollope woke up every day up at 5:30 am and had a cup of coffee. he would then read what he had written previously for half an hour, then he would write for the next two and a half hours. His output was 1000 words per hour. In two and a half hours, he produced – about 10 modern manuscript pages a day. This, Trollope wrote, in his autobiography, “allowed me to produce  over ten pages of an ordinary novel volume a day, and if kept up through  ten months, would have given as its results three novels of three  volumes each in the year.”

Today, most of us admire these workmanlike habits. What is fascinating, however, is that when Trollope’s Autobiography was published posthumously, after his death in 1882, his reputation took a nosedive. Why? Because Victorian literary sensibilities were taken aback by an author whose means of producing work were apparently so mechanical. Victorian critics felt true poets and authors produced work in the throes of “inspiration.”


The Victorian sentiment is often subtly promulgated by Hollywood – how many scenes have we seen where a writer writing is clearly rapturously transported by his/her work? Okay, it happens. But waiting for “transport” can be like waiting for Godot.


Stephen King was once asked what was the secret of writing success. His answer: “Bum glue.” (Bum here being the British word for the part of your anatomy that needs to be parked in front of a word processor for a good chunk of time in order to produce a manuscript.) Hmm, why does it not surprise me that Stephen King has been prolific too?

On Writing, Thoughts on Writing

What a Critique Group Can and Cannot Do for You

November 6, 2011

 

Here are some of the benefits a critique group can offer a writer:

  • Valuable feedback – When your writing is fresh on the page, it’s sometimes difficult to judge its merit. Critique group partners can give you the benefit of a reader’s objective perspective on your work.
  • Valuable suggestions – Members in your group can point out weak spots and problem areas in your work, and may suggest resources – books, software, contacts, etc. – of which you were not aware.
  • Accountability – Your group will meet regularly – weekly or monthly, or somewhere in between. As the point of the group is to share work and invite comments and feedback, these regular meetings provide you with an added impetus not to procrastinate.
  • Encouragement – Good critique group partners provide honest feedback but do so in a way that encourages further effort.
  • Camraderie – Writing is a solo profession. It’s you and the blank sheet of actual or virtual paper. Meeting with a critique group alleviates that. Critique group partners can validate you as a writer even before you get published.
  • Speeding Your Trajectory to Publication – You aren’t working solely on the basis of trial and error any longer. For me, this is the key benefit of a critique group.


What a critique group cannot do for you, and what it is unfair to expect:

  • Editing and book doctoring – That is what professional book doctors, editors and ghostwriters are paid to do. Critique group partners can comment on your work, and point you in the right direction. But the decision-making responsibility regarding specifics of plot and structure, and the time-consuming heavy lifting of actually working through a novel or short story remain with the author.
  • “Thinking through” your story lines and all of the other issues associated with creating a fictional world in specific detail – This includes theme, setting, characterization, etc.


Critique group partners may and should offer suggestions to address any problem areas of your work you wish to discuss or which they bring to your attention. At times, a partner might suggest something that works beautifully as a specific or key fix for a problem area. But at other times, they may only bring your attention to an issue and you will have to think through how to fix it.

Your critique partners are not being grudging if they do not always offer specifics, by the way. It’s just that writing is thinking, and your particular story issue may need research, careful analysis and consideration; or, it may even need to be “put on a backburner” for your subconscious mind to work on and to come up with that perfect creative solution. Resolving story issues like this are part of the challenge – and the exhiliration – of writing!